“Anti-White Racism”

I was a special constable with Devon and Cornwall Constabulary for five years, giving me a front-line view of policing as I simultaneously worked as a senior civil servant at the Home Office.

You very quickly learn two things about “the job”. First, that when people are having the worst day of their lives the quality of your response makes a profound difference. Second, when the wheels fall off, you need a person in uniform standing next to you who can have your back. When you strip away all the progressive verbiage pumped out by policing quangos on what matters, the public expects two things, above all: moral and physical courage.

TWO of the best-known dystopian novels are probably George Orwell’s 1984 and Aldous Huxley’s Brave New World. But there is another which may have slipped below many people’s radar. This is the 1972 Fugue for a Darkening Island by Christopher Priest.

Amazon tells us: ‘As Europe looks for ways to deal with the humanitarian crisis of Syria’s misplaced population and the influx of refugees crossing the Mediterranean, Christopher Priest’s second novel has a new, timely, edge. Survivors of a terrible African war flee their blighted continent, and look for refuge in the countries of the West. But Britain is falling into civil war and anarchy.’

Two men are speeding through a construction zone on a California freeway. They have identical speeds and driving records.

They’re both stopped and get tickets. One man pays $500 and the other $100.

The White House on March 27 issued an executive order on “Restoring Truth and Sanity to American History,” which prohibits public expenditure on any Smithsonian Institution exhibits or programs that attack core American values or “divide Americans based on race.” The interior secretary will also investigate whether any public monuments, memorials, or properties have been removed or altered to advance racialist ideology.

Compact magazine last week published one of the most disturbing yet culturally important articles of the decade. In The Vanishing White Male Writer, author Jacob Savage describes the cold war against male Caucasian fiction authors waged by the left-dominated publishing industry since, no surprise, the Obama years. Savage starts his piece with irrefutable proof of this outrage, citing the golden fleece for young novelists, The New York Times’ “Notable Fiction” list.