Batshit Crazy Progressive Racists

In the midst of the nation’s racial upheaval last year, media outlets including the Associated Press, the New York Times and the Washington Post rushed to start capitalizing the word “Black” in reference to African Americans, some announcing the move as a long-overdue gesture of respect. While RealClear has not changed its style, the change elsewhere prompted newsroom soul-searching on whether to write “white” or “White” in reference to people of European descent.

The worst epithet one can be called in the America of tribal identities, traveling snowflakes in search of a trigger, BLM comrades, critical race propagandists, and purportedly systemic white privilege Kens and Karens, is a racist.

In today’s mass social milieu, if one is the wrong skin color, religion, nationality, or political party affiliate, one must be a racist. Which accounts for at least half of us. So, what’s the issue?

Tulsa Opera stands up to composer Daniel Bernard Roumain—and its concert commemorating the city’s massacre shines in his absence.

Composer Daniel Bernard Roumain has made a good career leveraging his skin color. He writes pieces with titles like “i am a white person who ____ Black people.” He argues that orchestras should “focus on BLACK artists exclusively” (capitalization in the original). He has solicited funding for a work written “EXCLUSIVELY for BIPOC [black, indigenous, and people of color] members of ANY orchestra.”

MSNBC’s Joy Reid is arrogant enough to believe the American people would buy that previous homophobic posts on an old blog of hers were simply hacked material and not her own writing. Perhaps it’s no surprise then that the TV host would also believe that Americans would actually buy that American school children aren’t taught the horrors of American slavery, and that Critical Race Theory is simply an effort to change that poor-quality education.