The unredacted, exculpatory facts will be downplayed or ignored, in favor of the sweet, sweet comfort of the unprovable, and thus easily manipulated, redactions.
You know the moment in a really suspenseful movie when That Thing happens and everyone in the theater simultaneously realizes that nothing will ever be the same?
Everything slows down. The camera focuses on a face, or an object. Birds suddenly take flight. Characters turn to each other, their expressions changing in slow motion from light-hearted to tense, sensing danger. Eyes widen. A single, high-pitched note pierces the scene.