In the New York Times, Tina Brown, who quit as editor of the New Yorker in the late 1990s to edit a start-up glossy magazine backed by Harvey Weinstein called Talk, explains a little about how The Narrative cake is baked:
Harvey spent most of the hours of his working day ensuring that all the bad stories went away, killed, evaporated, spun into something diametrically its opposite. It was a common sight outside a Harvey opening party to see one of his publicists trapped in a car on the phone, spinning — spinning the dross of some new outrage into gold.
When I founded Talk magazine in 1998 with Miramax, the movie company Harvey founded with his brother Bob, I also took over the running of their fledgling book company with Jonathan Burnham as editor in chief. Strange contracts pre-dating us would suddenly surface, book deals with no deadline attached authored by attractive or nearly famous women, one I recall was by the stewardess on a private plane. It was startling — and professionally mortifying — to discover how many hacks writing gossip columns or entertainment coverage were on the Miramax payroll with a “consultancy” or a “development deal” (one even at The New York Times).
Harvey engaged sexual harassment’s legal bulldog, Lisa Bloom, she who brought down Bill O’Reilly and recently appeared on the stage of Women in the World’s Canada Summit as thrilling feminist avenger. Then, it emerged The Weinstein Company bought Bloom’s book on Trayvon Martin for a movie — classic Harvey M.O…
It’s interesting to speculate what percentage of tendentious liberal media projects exist mainly to pay off insiders who know too much. On top of that, what percentage of the projects that never come fully to fruition but for which somebody got […sic…] are, basically, bribes/rewards for staying on Team Liberal despite learning about your teammates?