Alfred Hitchcock’s black comedy The Trouble with Harry bombed at the box office when it was first released in 1955; it has now achieved the status of a classic. Today, a bizarre melodrama playing in all the major political theaters, which might be called The Trouble with Barry, has become an overnight smash hit. Starring Barack Obama, a prodigy of the art of surveillance and Teflon-like resilience, it will eventually run its course. However the plot may develop, one thing is certain: it will not be regarded as a classic.
The trouble with Barry, like Hitchcock’s moribund Harry, is that he never seems to go away, constantly emerging at the most inopportune moments. Unlike every other president in American history, Obama has dedicated himself to the practice of what the Washington Examiner has described as “post-presidential meddling.”