Over twenty years, fear has already devoured important pieces of Western culture and journalism. They all disappeared in a ghastly act of self-censorship: the cartoons of a Danish newspaper, a “South Park” episode, paintings in London’s Tate Gallery, a book published by the Yale University Press; Mozart’s Idomeneo, the Dutch film “Submission”, the name and face of the US cartoonist Molly Norris, a book cover by Art Spiegelman and Sherry Jones’s novel, “Jewel of Medina”, to name just a few. Most of them have become ghosts living in hiding, hidden in some country house, or retired to private life, victims of an understandable but tragic self-censorship.
Only the French satirical magazine Charlie Hebdo was missing from this sad, long list. Until now.