More than a month after the coldblooded murder of African-American churchgoers in South Carolina by an overt racist prompted an intense and grief-stricken national discussion about racism in the United States, it is now possible to apply some perspective to the events that followed. Across the South, in public and private spaces, the Confederate battle flag was furled for the last time. Few responsible commentators saw this as anything less than a public good. Some even suggested that further steps were necessary; monuments to Confederate leaders should be torn down, roads and bridges named for Confederate generals retitled, and municipalities with Confederate roots renamed. What followed this catharsis was, however, a full-scale national moral panic. Perhaps the most ludicrous example of this overcompensation came when television networks cancelled re-airings of the Dukes of Hazard and the owner of the program’s original prop car, the General Lee, revealed that the vehicle’s famous rebel flag roof art was to bepainted over. It was then that some cautiously began to wonder if the well-meaning decision to remove this historical artifact with all its negative baggage had gone too far. There was clearly no limiting principle to this national effort to address historical grievances. Where would it all end? Today, it is clear that, for some, the fight to make history conform to today’s moral standards has only just begun.