Tomorrowland chokes on a big, fat Green pill

I desperately wanted to like Tomorrowland. The film’s director, Brad Bird, had made my favorite Pixar film (The Incredibles) and Iron Giant and Ratatouille besides, and the subject matter – that awestruck, hopeful image of the technological future promised in the Disney theme park attraction that gives the film its name – is one dear to my heart. But I didn’t, and I should have seen the reason coming a mile away.

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